Superhero Movies Abound! My Take on the Marvel and DC Announcements

Wow! Within two weeks of one another, the publisher rivals that are DC and Marvel have announced their scheduled releases for the next 6 years. I hadn't intended to one for DC due to there being limited news outside the titles and one or two casting choices, but with Marvel doing the same it's best to combine the two studios' announcements into one long post. All dates are scheduled for the US, so some differences are probable for other countries.

Avengers: Age of Ultron (01/05/2015)

This film is pretty much set in stone at this point, with the first trailer released on Thursday and a new clip to be featured during Agents of S.H.I.E.L.D today. But almost everyone is excited, especially after the trailer, and there's a lot more to come from it. Not much to add that hadn't been said in the recent Trailer Talk.

Ant-Man (17/07/2015)

Again, nothing new to add here. Filming is still going ahead, so don't expect a trailer any time soon, unless it's the original test footage from many years ago.

Batman V Superman: Dawn of Justice (25/03/2016)

Then DC enters the fray with their constantly-mobile Man of Steel sequel. After moving from 2015 to May 2016 before moving ahead to March that year, the highly-anticipated film is the biggest stepping stone for DC's universe. If it fails, then the whole cinematic universe could fall apart. Ben Affleck of course received massive amounts of hate when he was announced as Batman, the first Man of Steel split audiences, and Gal Gadot has yet to receive any credibility outside the publicity photo revealed at San Diego Comic Con. But fans are ready to see Superman take on the Dark Knight.

Captain America: Civil War (06/05/2016)

The first of the Phase 3 reveals, this is the film which scared DC into pushing forward Batman V Superman, and now they're doing a Captain America V Iron Man story in its place. While it's great that the infamous storyline is getting an adaptation, it is perhaps too soon following the DC brawl happening beforehand. While Marvel has a lot more credibility at this point, things may change come May 2016 so audiences may be split about it. But as the two heavyweights prepare to clash, it'll likely get a lot of attention.

Suicide Squad (05/08/2016)

I know very little about the Suicide Squad, and so far there are so few details about the film. There are rumours abound about who'll star (most recently Jesse Eisenberg reprising his role of Lex Luthor), and David Ayer, who recently directed Fury, will be in the director's seat for the film. It's an interesting concept as DC attempt to be Sony to the plate with their Sinister Six movie, but it's anyone's guess whether it'll work out or not.

Doctor Strange (04/11/2016)

This film is all over the place. Not only has the casting for the titular role still unconfirmed - Benedict Cumberbatch is allegedly in final talks, which I discussed here - but now the release date has been pushed back, meaning that the original start of filming will be pushed back also whilst they sort it out. It's good that they've given themselves extra time to sort it out though, but we have to hope it stays consistent from now on otherwise it'll be Ant-Man all over again.

Guardians of the Galaxy 2 (05/05/2017)

Originally slated for July, it's nice to see that the sequel to the highly-popular ensemble film is being pushed forward to a highly-regarded release date. Things must be going well in James Gunn's area as scripts near completion near the end of the year. Expect the whole cast to return and some newcomers as per usual. Bring on Awesome Mix Vol. 2!

Wonder Woman (23/06/2017)

It's taken long enough, but Wonder Woman is finally getting her own standalone feature, which is looking for a female director at this point in time. This is monumental news for fans of female superheroes, as there hasn't been a female-centric hero movie since 2005's Elektra, which is avoided these days. Plus, it comes out ahead of Marvel's first female hero movie, so props to DC for scheduling and announcing it first.

Thor: Ragnarok (28/07/2017)

I'm a big fan of Thor, and have been since his first feature film in 2011 (although I was a year late, catching the film in 2012 before The Avengers). The 2013 sequel didn't exactly impress on first viewing, but nevertheless it was enjoyable, and still is, so a return to the franchise is highly regarded in my books. Plus, we have the return of Tom Hiddleston as Loki, another fan favourite which will likely bring in bigger ox office. But fingers crossed they don't force him into the film like with The Dark World.

Black Panther (03/11/2017)

The first non-white superhero movie! Well, besides Blade. This film has been rumoured for years, and its announcement comes just after receiving criticism for seemingly white-washing Dr Strange. With Chadwick Boseman in the lead role after stunning audiences in 42 and Get on Up, this could be a big hit, if not for...

Justice League Part One (17/11/2017)

Yep, two weeks later DC releases the first half of their ensemble movie, originally slated for 2015 before the whole universe was brought together. Zack Snyder is in the director's chair, but very little has been revealed. With only a select number of the team introduced to audiences, it'll be interesting to see how it comes across, especially in this first half.

The Flash (23/03/2018)

Despite the TV series doing immensely well in America, DC are doing a different rendition of the character, now played by Ezra Miller. A strong choice for the role, but the release is rather out of place considering Justice League has just started, but things may work out.

Avengers: Infinity Wars Part One (04/05/2018)

Then the Avengers return for the first half of their third bought. Usually culminating the end of a Phase, it's interesting that this too will be in two segments with films in between, although the huge set up for Thanos (Josh Brolin) may need two films to appease those who've waited.

Captain Marvel (06/07/2018)

And here's Marvel's first female hero movie! While many have been clamouring for a Black Widow movie (including Scarlett Johansson), it's good that Marvel are willing to start the run of female superheroes with a new face rather than try and ease audiences in. Again, highly rumoured and desired by fans beforehand, so it's great that it's been confirmed.

Aquaman (27/07/2018)

DC are still leaving no room for Marvel to breath, as weeks later they bring in the Man of Sea, as played by Jason Momoa. It'll be interesting to see how they'll try and un-ridicule him after the hate he receives in many nerd-related mediums such as The Big Bang Theory and Robot Chicken.

Inhumans (02/11/2018)

Also heavily rumoured thanks to Vin Diesel, this will be a difficult property to bring across to the screen. Granted, Marvel succeeded with Guardians, but can lightening strike twice? Probably. Nothing has been revealed yet.

Shazam (05/04/2019)

Another film rumoured a lot, thanks to Dwayne Johnson who features as villain Black Adam. Again, little is known about the film, but it is an interesting concept - a 10 year old boy who turns into a superhero when he shouts "Shazam!".

Avengers: Infinity War Part Two (04/05/2019)

Marvel manages to bring Part Two of the Phase 3 finale before DC does with their Phase 1, as one year on they release the grand Thanos battle to the big screen. It'll be interesting how it all works out, and what'll follow.

Justice League Part Two (14/06/2019)

And then DC releases their big finale. I wonder if 2019 will be the year of Part Twos?

Cyborg (03/04/2020)

3 years later, DC get round to their first non-white superhero, played by Ray Fisher. Granted, Gal Gadot is from Israel, but as the team's flagship non-white hero is a little late to the game, especially with the Justice League films over. He does have an appearance in Batman V Superman though, so he won't have to wait too long.

Green Lantern (19/06/2020)

And finally we have the reboot of Green Lantern, following the dismal attempt in 2011 starring Ryan Reynolds. There were originally rumours that it would be a Flash team-up movie, and may still be, but for now all we know is that he's a long while yet.

And that's all the movies DC and Marvel Studios have on the way until 2020. Of course, Sony and Fox have their own movies on the way, such as Deadpool and Sinister Six, but there isn't as much information out there for their movies, in particular Sony following the poor show for The Amazing Spider-Man 2, which made them rethink their strategy for the future. There's also a Man of Steel sequel and a standalone Batman film on the horizon, but they are currently unscheduled.

Trailer Talk: Avengers, Clooney and Whales

Miss Meadows

The idea of a "Pulp Fiction Mary Poppins" is an intriguing one, as former Batman girlfriend Katie Holmes goes on a killing spree as teacher Miss Meadows. It does look somewhat interesting, especially with her bright choices in clothing, so perhaps it's something to keep an eye out on. However, it may be a risky prospect as it could be a little too sugar coated.

Tomorrowland

Soon after I placed the film on my Top 10 for 2015 list, Disney released this gem of a teaser onto the world out of the blue, and it makes me feel overly pleased that I predicted correctly as the film looks extravagant. Brad Bird's direction is excellent stuff as is the editing between transitions of the two worlds, and kudos to the young actress successfully managing to repeat her actions perfectly. It may tell little of the story itself, but boy am I ready to see it.

Big Hero 6

Ahead of its US release next Friday, Disney showed off this final trailer alongside Tomorrowland at New York Comic Con, and it gives a bit more focus to the team aspect. There isn't anything particularly new here, but it offers some new footage as it begins its fight against Interstellar (which is released on the same day).

Focus

                                      

This is an interesting one. On one hand, you have Margot Robbie hot off the heels from The Wolf of Wall Street and in the first of many roles for her following its success. On the other hand, you have Will Smith in his first major role since last year's dismal After Earth, plus his cameo in Anchorman 2: The Legend Continues. But Focus could be the bridge which creates a merge of good and bad, with a so-so premise but strong visuals. Proceed with caution.

A Merry Friggin Christmas

                                      

Here come the Christmas films. Out of the holiday season's roster, this is perhaps the most interesting due to the untimely death of Robin Williams. The film doesn't look particularly strong or remotely funny, so it's a pity that this is one of the last films in his filmography.

In the Heart of the Sea

                                      

This film is perking the interest of various whale protectors who believe this film will encourage whale hunting in those countries where it still exists. But this adaptation of the true story behind Moby Dick is nothing more than a retelling of a real event, and an interesting one to boot. There's always a story about an abnormally enlarged animal, usually a lizard or the infamous gorilla King Kong, but here it's naturally large mammal in a well-directed trailer. Keep an eye out for this film.

Unbroken

                                      

Similarly to the first trailer, this seems to be cluttered with content from various sectors, varying from Olympics to being stranded to being enslaved in Japan, with the added element of a troubled childhood. Whilst Angelina Jolie is doing a marvellous job in the director's seat, the content itself appears all over the place with no cohesion. I'm sure the film itself will be linear and well-edited, but this trailer isn't.

Top Five

                                      

This film seems to be very safe for Chris Rock. With his film career consisting mainly of Madagascar-related material, he needs a hit to relight his career outside of the animation genre, but Top Five isn't it. It's a relatively small storyline lending itself to poor jokes and an off cast.

The Woman in Black: Angel of Death

                                      

Hmm, another conventional horror movie trailer in time for Halloween. This time for the sequel to 2012's box office hit The Woman in Black, with an equally dull trailer. No scares, no integrity, just pure boredom. 

The Gambler

                                      

Aside from a remarkable physical change by Mark Wahlberg, this film does have some good editing and a funny John Goodman. Everything else is currently debatable, as like Focus it follows a simplistic idea which could do good or bad. Time will tell.

Insidious: Chapter 3

                                      

Oooff, what a scare-less teaser. Basic jumpscares, dull characters, dodgy camerawork, it's all rather meh for this third instalment to the horror franchise. New characters, new ways of boring.

Avengers: Age of Ultron

                                      

Something completely different is the highly-anticipated Avengers sequel, which leaked a week before its intended release during Agents of S.H.I.E.L.D (a preview clip is taking its place). Thanks to Joss Whedon's stylistic direction, the superb editing by the team at Marvel, and the brilliant rendition of Pinocchio's 'Got No Strings' to match with the film's tone, it brings across what could potentially be the studio's strongest film to date. It's bigger, it's bolder, and oh boy am I excited for its release. HULKBUSTER SMASH!

Doctor Who Series 8 Reviews - In the Forest of the Night (E10)

When you combine the Olympics and Doctor Who, you often get a bad mix, whether it be a full episode like 2006’s Fear Her or the 2012 child-written minisode Good as Gold. But Frank Cottrell Boyce, the writer of the 2012 Olympic Opening Ceremony, has managed to surpass the Olympic curse to write a better-than-expected story out of a bizarre premise and a track record of bad child actors.

The story? Everyone wakes up to find the world covered in trees which can’t be harmed by the likes of flamethrowers. Yep, sounds absolutely stupid and rather far-fetched even for a show without logic. But when done here, it works really well. Thanks to Boyce’s writing and the performances, it plays out as a story worth watching whilst leaving plenty of growth for the relationship between Clara and Danny (Jenna Coleman and Samuel Anderson respectively). It does attempt to add some form of antagonist to the mix with wild animals in a nice little sequence, but the threat is all too brief and dealt with within minutes and with no further fear from them. Aside from that, it’s a nice breather between last week’s fast-paced escapades and next week’s grand two-part finale, and as a story it fits the spot well without dipping in quality.

Someone who really pushes the story is Peter Capaldi, who is an incredibly strong presence and really shines as the Doctor. His jibs to Clara about her appearance or about Danny are few and far from one another, his treatment of the Coal Hill School children was a breath of fresh air against his constant angst towards them across this past series – especially when it came to the treatment of Maebh – and there appeared to be genuine concern in regards to the situation. Whilst arguably out of character for this incarnation, there is still some of the classic Twelfth Doctor in there, but rightfully underplayed to allow proper storytelling to follow through. Jenna Coleman is also a fun watch, as she attempts to juggle the role of carer for the Doctor and the school children and being faithful to Danny. Her final sacrifice is also a lovely scene akin to her taking control in Flatline the previous week. As for Danny, he still fits the Rory Williams mould of over-protective boyfriend who’s wary of the Doctor and his shenanigans, but a bit of new material comes out as he takes precedence over the kids’ safety and being the voice of Clara’s conscience.

As I mentioned in my reviews of Kill the Moon and The Caretaker, children have a tendency to be of poor quality in terms of acting chops, and have been since 2011’s The Almost People. Courtney was an annoyance in part but did show some improvement over that stereotype, but In the Forest of the Night is a huge step forward for them thanks to a lack of poor performances. Abigail Eames as main child Maebh, whilst looking a bit too young to be in Year 8, was a good enough lead, and it’s nice that the issue of mental health (the voices in her head) was touched upon. Granted, it was done rather softly and the actual subject matter similar to a specialty of Marvel’s Groot of Guardians of the Galaxy fame. There is a minor subplot regarding Maebh’s family, in which her mum searches for her and her sister has been missing for approximately a year (hence the voices in her head), and the scenes involving her mum could be cut out, but it wasn’t a major factor for the story, and only really played a part with its conclusion. The three other notable school children – that is, those with a good proportion of dialogue – were good enough, albeit with singular character traits of inquisitive or bully. They add small details to the story, but they aren’t unnerving.

In the Forest of the Night has received a lot of dislike by fan consensus with little explanation. For this fan, it was an enjoyable episode with many twists and turns. The acting was impressive for all angles, the writing – whilst not as humourous or high calibre as previous weeks – was strong enough to carry the story, but the threat was too small and insignificant to be needed for the episode. It may have been a story that felt like it was in three parts, but altogether it was a fun watch. 7/10.

The Book of Life (2014) Movie Review

Every computer generated animation studio in the last few years has had an attempt of recreating the ToyStory effect: the film which defies the studio as a player in the animation field. Disney had it with Tangled, Dreamworks with Shrek, Blue Sky with Ice Age, and so on. For growing company Reel FX, they started off small with their first release Free Birds, which didn’t cook up the crowds it had hoped for, nor the acclaim from critics, so for second attempt The Book of Life they’ve gotten help from legendary director Guillermo del Toro as he sits in the producing chair for this celebration of the Mexican tradition Day of the Dead.

The animation and designs have upped the ante for this second feature, as they focus on making the film a visual delight. The wooden bodies of the characters, whilst initially off-putting, are a refreshing change to the usual human designs from this year’s competitors Dreamworks and Laika. A bit more detail could be added to this aesthetic, such as marks on the wood or strong between the gaps to represent bone, but I digress. As far as progress goes, it’s a big step forward for the up and coming company.

The characters themselves are likable enough, but they lack much personality. Diego Luna as Manolo is the main protagonist who falls under the “follow the family” storyline whilst fighting for the attention of Maria (Zoe Saldana). He’s enjoyable to follow through the story, and Luna does well vocally with the script and the songs, but like his design he’s rather wooden as a character. The same can be said for Joaquin (Channing Tatum), who is unrecognisable in the role but lacks in anything outside of being a fighter. He does have a change of tune by the end, but only with the assistance of Manolo. Maria too is there only as a love interest for the two male leads, and comes across as a strong woman but she only does so when the plot needs it, and is quickly forgotten about scenes later. Aside from these three characters, the others are there only for character development or comedic value, with only the three gods (Ron Perlman, Kate del Castillo and Ice Cube) playing a major part of the story.

The story is focuses mainly on the love triangle of Manolo, Maria and Joaquin, with Manono’s quest through the Land of the Remembered to reunite with her. It’s a simple enough premise which works well, particularly as it lacks the standard second act separation that most romance films consist of, but with the smaller plot of breaking away from family tradition it is rather dull, quickly starting this idea with Manolo’s father rejecting him for his lifestyle choices. It’s been done to death and its inclusion here, whilst a tad more creative with his family coming together, doesn’t add much to this type of story. There’s also a small subplot about a former enemy of the town called Chakal (Dan Navarro) but he’s there only to give a large battle to the end of the film, and the film unnecessarily switches between the main story and modern day kids at a museum with little effect aside from a final ‘twist’.

The Book of Life may be aesthetically pleasing and the characters are likable enough despite their lack of personality traits, but it works only as a quick viewing for the family. Its story is simple and the humour is mostly stale, but it’s a film which enjoyable enough for a single viewing. 6/10.

Doctor Who Series 8 Reviews - Flatline (E9)

Doctor-less stories can be either a series high or a series low, and tend to be a universal opinion. Take 2006 and their double attempt with Love and Monsters and Fear Her, both critically panned stories which usually fall under the worst episodes lists. A year later, Blink comes along and blows up as rejoice comes from all angles. Such successes were repeated with each series (with the exception of Series 7, which didn’t feature this type of story) and often praised as being the highlight of their respective series, giving Flatline all the more to beat, and as such it isn’t as much of a Doctor-lite tale as previous stories. For starters, Peter Capaldi is in a good proportion of the story, and plays a deus-ex-machina of sorts when the plot requires a new device. Secondly, his presence never leaves, as he’s carried about in Clara’s handbag for a good percentage of the episode. But nevertheless, it’s promoted as a Doctor-free story and Clara takes front seat in this Jamie Mathieson story (his second after last week’s Mummy on the Orient Express). But how does it hold up?

On the subject of Fear Her, this isn’t the first time 2D images have come to life for the sake of a villain, with the infamously terrible story featured people being trapped on paper, including David Tennant’s Doctor, whilst 2010’s The Time of Angels introduced the idea that that which holds an image of an Weeping Angel becomes itself an Angel – a matter which troubled Amy Pond – to full effect. Here though, it’s the holder of the image which is the threat, as the unnamed species creepily maimed their targets and later used their image, something which is used to great success. They’re certainly creepy, and filled with spooks and ingenuity. Many critics have been complaining about the usage of CGI in this story for the creatures, but in actuality it’s done to great effect. The scene with the policewoman (Jessica Hayles) was a better version of a similar scene in 2011’s Night Terrors, and later chase scenes give off the incomplete look without too much effort put into it. As one time villains go, these are exemplary.

For this story, Jenna Coleman’s Clara takes the lead and she is very enjoyable in this position. She relies on playing the Doctor for the situation, and fits the large shoes with ease. She is incredibly reliable to the Doctor in the situation, and in the end her actions are only a way for the Doctor to pop out and stop the monsters, but her actions towards him and her allies do well in moving the story forward, and with that she gets good comments from me. As for Peter Capaldi, his role in a 5” TARDIS was far better than it had any right to be, with previous shrinking TARDISes with Planet of Giants and Logopolis being hit-and-miss. It’s something which tends to be left for kids shows and family films like Honey I Shrunk the Kids, so an on-screen return to this formulaic plot could easily fall flat. But here, it somewhat worked, and thanks to CGI shots such as the Doctor flinging his hand about outside the doors work to great effect. He does play a simple explanation device in the story, and it’s not fully explained why the TARDIS shrinks, but it’s nice to be given a bit of a breather - although an explanation for his sudden change in hairstyle remains a mystery.

Jamie Mathieson initially unimpressed with his first story earlier on this season, but here he’s found the right target in terms of storytelling and scripting. Flatline was scary when it needed to be and funny at other moments. The supporting cast are a little lacking in personality traits bar Joivan Wade as Rigsy, who fitted the required companion role well for this story with his own reasoning behind helping out. Flatline is an improvement on many of the stories faced this series, and as such deserves a 8/10.

Doctor Who Series 8 Reviews - Mummy on the Orient Express (E8)

Like Peter Harness before him, Jamie Mathieson has a lot at stake with his debut story for the series, with another episode in the pipeline for later in the series. Whilst he’s made a big impact within the offices of BBC Wales with this and next week’s scripts, it doesn’t always resonate well with audiences. Such a comment could be made here, but Mummy on the Orient Express has received favourable reviews by fans. But not this particular fan.

The story focuses on a train in space with a deadly being on board picking off the passengers and crew one by one. This ‘under siege’ storyline is a staple for the show, ranging as far back as its cheaper attempts with The Edge of Destruction, so like Kill the Moon before it Mathieson does play it safe. However, unlike Kill the Moon it fails to live up to its full potential like stories before it, especially when considered that this type of story has been done in the current series already, albeit in small doses such as Listen and Kill the Moon, with equal or more success. And whilst it was nice to relate back to a small quip made at the end of The Big Bang, which does get a mention in this episode, it doesn’t feel strong enough to become an episode in its own right, let alone so late after it escapes public awareness. At times the script does give off good amusement, particularly with the various Tom Baker references, but at most it tends to be rather dull.

And perhaps the dullest actor of the story is poor old Frank Skinner as Perkins, who is a memorable enough character following the standard ‘potential companion’ trait which has followed the show since its revival. He has a large enough role to peak audience interest, and with Skinner being a fan of the show does show he has understanding of how it works, but at times he seemed somewhat out of place – almost wooden. Skinner is usually filled with great comedic grace, as seen in another Doctor Who-related serial The Five(ish) Doctors, so it appears that it’s more the script than him, with a standard TARDIS entrance to appease to him. The same could be said for the highly-publicised Foxes, who was announced across various mediums in what ended up to be nothing more than a cameo of her singing. When considering that fellow singer Kylie Minogue got a rather large role without the need of her to sing against recent acting debuts of Katherine Jenkins and Foxes, it does seem very disappointing that this era of the show downgrades potentially strong performances as simple musical interludes in the story, with this instance being unneeded let alone so publically promoted. Other guest stars are pretty much forgettable, with Daisy Beaumont there just to give Clara something to do.

Last week, I complimented Peter Capaldi for his strong performance, and being his most Doctor-y to date. Here, it feels like he’s taken a step backwards as he returns to his cold self as seen in Into theDalek and Time Heist. Granted, it’s an interesting side to the Doctor not seen in quite a while, but its constant switches of character is somewhat off-putting, leading to unimpressive results. As for Clara (Jenna Coleman), what a complete U-turn this was. After her bombastic outburst previously, it seems strange that she would go straight back to The Doctor. They do constantly reference back to it, with this adventure being considered the finale of their trips, but it doesn’t go very far in terms of story. Her final decision is very sudden and almost acts as a quick ‘screw that’ to last week’s conclusion.

Mummy on the Orient Express is an odd one. Whist it has high prospects with its gruesome foe and the direction is strong, it treads overly familiar ground and doesn’t add much to it outside a change in flying vehicle. It’s a story which misses its intended destination with various bumps on the tracks. 5/10.

Top 10 Films for 2015

2015 is scheduled to be a big year for the film industry, thanks to the various sequels, reboots, adaptations and originals being released all year round, alongside this year's Oscar-bait pictures (which tend to come out in the UK in January). As such, with a majority of films officially scheduled with release dates and the 2014 bunch of films drawing to a close in the next three months, it seems right to present my personal Top 10 list for what's to come in 2015.

Honourable Mention: Star Wars Episode VII

On every list for 2015, it's most likely you'll see the highly-anticipated return of the Star Wars franchise, following a 10 year break with Revenge of the Sith. So why is it only an honourable mention? Well, to put it bluntly, I'm not a big fan of the series. I get the strong love, and for its time the visuals are spectacular, but aside from that I can't get into it. I'm also not a big fan of JJ Abrams, particularly his rendition of Star Trek. However, it's highly probable that this will be the film of the year financially and critically due to how beloved the franchise is, so a look-in is very much likely.

#10: Shaun the Sheep

And already I imagine a number of people have stopped reading, but hear me out here. The character of Shaun the Sheep is one stuck in the memories of a good percentage of people, voted the number #1 children's TV character earlier on this year. Following his first appearance in 1995's A Close Shave and obtaining his own series a decade later, it goes to show just how beloved the character is. Aardman Animation successfully translated their flagship characters Wallace and Gromit onto the big screen in 2005, so there's certainty that it'll be repeated here.

#9: Tomorrowland

This is a film shrouded with secrecy, with very few details to date. The most that's known is the cast and basic plot synopsis, which does sound somewhat simplistic for my tastes but we'll get to that. But that's the exciting thing about this movie; no one knows anything about it. But with the talents of George Clooney and Brad Bird on board, and the film seemingly filmed on the set of the theme park it's based on, it could be a very exciting project.

#8: Kingsman: The Secret Service

The trailers look exciting, the actors are riveting and clearly having fun, and it seems action-packed. But with it being pushed back from being released this year, it has been given a 'proceed with caution' feel by the general public. I see it as a much-improved version of 2006's Stormbreaker, but have placed it lower on the list simply because of its initial release schedule; it would be cheating to place it higher on its second attempt.

#7: Ant-Man

This is another 'proceed with caution' film, with a much longer production schedule and the sudden dropping of Edgar Wright, news which shocks me months later. Add his replacement Peyton Reed, and it could seem like a large misstep. So why so high? Quite simply, it's Marvel Studios. Had the Edgar Wright event not taken place, and this film could be in the Top 5, maybe even Top 3, of this list. After various hits these past few years, it's unlikely they'll fail here, especially after 8 years of preparation. Plus, Paul Rudd does seem right to play the microscopic hero, even if it did question some when announced.

#6: Inherent Vice

A release for 2014 in the US, Inherent Vice is a film which has been anticipated for many since its announcement a while back, but it was only with the news of casting and the recent trailer that I've been truly interested in this film. Joaquin Phoenix has won me over as an actor after his performance in Her, and I've heard good things in the visual sense about Paul Thomas Anderson's direction, so this may be a good look-in when released in January.

#5: Big Hero 6

Released on the same day, and behind its American release of November, Big Hero 6 has a big job to do as a follow up to the smash-hit Frozen whilst making use of Disney's ownership of Marvel with their own rendition of a superhero team. But because of their recent successes, and the trailers being sharp and witty, Big Hero 6 is clearly one to look out for, especially after a dry spell for animated films this year aside from How to Train Your Dragon 2 and The Boxtrolls.

#4: Spectre

Skyfall was anticipated back in 2012 and was a huge success and loved by all, so of course the next installment in the James Bond franchise is overly hyped. With the return of Sam Mendes as director and Daniel Craig still playing the infamous secret agent, it's expected to be big, despite there being little-to-no information besides that. There have been recent rumours that Rihanna will be the new Bond girl, but nothing confirmed yet (hopefully she won't be!) so keep your eyes peeled.

#3: Peanuts

Like many, I grew up on the adventures of Charlie Brown and company, through their print and feature adventures, so such news of a film does grab my interest, and while Blue Sky Studios haven't got the best track record with the overbearing Ice Age and Rio franchises, they do offer up some good stylistic choices. But when the teaser came out earlier this year, I fell in love with it. The combination of 2D and 3D animation styles really shines in it and makes it seem like a simple animated update of the classic series, down to their designs and actions. With the family of the creator working on script and story and animation like this, it'll be hard to find a bigger love letter to the brand.

#2: Inside Out

It's a well-established fact that I am a fan of Pixar's work, and will continue to be for as long as they've been making films. However, in the choice between The Good Dinosaur and this, Inside Out has a lot more up for grabs. It's their first film since 2013's Monsters University, it has a strong voice cast such as Amy Poehler and Bill Hader, and what was seen in the recent teaser looks stunning. My levels of anticipation are high for the return of the animation company.

#1: Avengers: Age of Ultron

As predictable as this may be, it's hard not to look forward to the sequel to the third highest-grossing film of all time. Marvel have been on a roll with Phase Two with only one disappointment with Thor: The Dark World (and even then it was only good), and the sequel has a lot at stake, with the reintroduction of all these characters together, new heroes and a brand new villain created by one of the flagship characters, Everyone who's anyone is excited for this Phase Two finale, and I'll be there on opening day.

Doctor Who Series 8 Reviews - Kill the Moon (E7)

When a new writer comes in, it can often be a big risk. Whilst the likes of Neil Gaiman and Richard Curtis have surpassed expectations with great stories, whilst others like Neil Cross and Stephen Thompson have made poor debuts (oddly enough, these tend to be the ones who’re invited back). So with a newbie like Peter Harness (Wallander), it’s expected to be approached with caution. It’s a refreshing change though, as the series so far has featured only returning writers with less than brilliant results. With a bit of breathing room for the next few weeks before Steven Moffat’s two part finale, it’s time to see whether Harness has what it takes to be a Doctor Who writer.

A Moon-based story is a common tale, ever since the early days of Patrick Troughton with the aptly titled The Moonbase, so as a jumping-off point it’s a safe and effective decision. Arguably overdone, but its last instance was in 2007 with Smith and Jones, so enough time has passed for a return trip. However, this trip is a game-changer for the nature of the Moon appears to be not as all seems which is a clever twist on the typical invasion stories seen previously. Yes, there are spider-like creatures reminiscent of Alien by appearance and nature, but they aren’t the main threat. If anything, they get sidelined by the 30 minute mark with only two on-screen casualties to their credit. They have a simplistic design and rarely scare, but do well with the little they need to do. The main battle is all the more interesting, as it adds a twist to an all-too-common social argument.

What makes it even better though is the fact that Peter Capaldi’s Doctor doesn’t go about making the decision, Jenna Coleman as Clara does alongside Courtney and Lundvik (Ellis George and Hermione Norris respectively). Now, usually this can appear as simply turning it into the Clara show, which many including myself have been criticising the series for doing rather than allowing more understanding for this new incarnation. But with the events of this story, it’s akin to the Amy-Silurian debate in 2010’s Cold Blood. Whilst there wasn’t at much at stake in that scenario outside of how willing they’d be to share the planet, here it’s on a catastrophic level, on the verge of planetary destruction, but it’s still right for The Doctor to leave it to them, and his comments afterwards do seem right. The reaction from Clara after may be a tad overdramatic, but understandably so.

Despite his brief absence in the third act, Peter Capaldi is undeniably strong in this episode, mimicking the essences of Doctors past whilst standing on his own ground. Here, I finally feel like he is a Doctor in his own right, even if at the start he’s seems very non-Doctor with some of his comments on Courtney. Jenna Coleman is good in her dual role of carer and companion, and Courtney is surprisingly bearable, being at times sidelined and other times doing well in her surroundings. Yes, she has the annoying tendencies such as mentioning Clara and Danny Pink’s relationship and she gets involved in a very stupid plothole involving one of the spider-like creatures, but aside from that she’s okay. Hermione Norris does initially come off as robotic, and gives off many hints alongside the Doctor as to what Courtney’s future entails, but in the third act she thrives as the opposition. As for her two crewmembers (Phil Nice and Tony Osoba), they’re simply extras to the main crew and Lundvik’s focus, with both being excused in the first act.

Whilst it’s far from the comedic escapades of last week’s The Caretaker and a change in shift for the series’ tone, Kill the Moon is perhaps the most successful story to date, thanks to its strong parallel to common themes in society and all-around good cast. It was initially meant to be a Matt Smith script, but there are no traces in this good story. 7/10.

Trailer Talk: Pixar, Phoenix and Paintings

Big Eyes

Tim Burton has been in a bit of a slump as of late. With 2012's Dark Shadows failing to make a dent during The Avengers' box office hold and Frankenweenie failing to met its target demographic in the overcrowded market, it makes sense that the once critically-acclaimed director would go a little safe whilst keeping to his trademark creepy nature by making this biopic. But in this trailer it comes off as a bit cheery. Granted, it does have turmoil between the Keanes, but the colour palette is all too bright while the sudden big-eyed people in the latter half do seem to be the only thing which makes up a Burton film. It does look a little interesting, but not riveting enough for a movie ticket.

The Interview

Rogen and Franco are still playing the assassination side of this comedy a little quiet as with their recent green-band trailer, but they're still keeping to the same formula of sex and drug jokes. Sure, it works for some, but for me it's an insta-pass.

Kingsman: The Secret Service

When it was announced that this film was going to be pushed back until February, there were doubts that this film could do badly, as the story tends to be if any film does so. But here, it doesn't give off that belief. Some CGI shots still need some touching up, such as Colin Firth's back flip, but aside from that it looks brilliant. Samuel L Jackson is clearly having a lot of fun with his role, with humour galore ("If you get blood on the carpets, you have to take the carpet off!") and inventive uses of umbrellas and artificial limbs. Very excited!


Big Hero 6

Disney are on a roll. Frozen hit the billion dollar club, Captain America broke April records, Guardians of the Galaxy became the highest grossing film of the summer with its August release, while the likes of Maleficent, Planes and Muppets Most Wanted all doing well in their own rights. Big Hero 6 does have the biggest fight as a follow-up to Frozen, and this trailer isn't as enjoyable as the first few, but it does prove that it has what it takes. It has a lot more focus on the rest of the group and what brings them together whilst showing off the pristine animation and humour as per previously. It looks like a fun ride which I look forward to joining.

Jupiter Ascending

 I had forgotten all about this film, which was originally scheduled for release this summer before suddenly being pushed back until February 2015. However, unlike Kingsman, it does look complete and ready for release, and it does look a bit dull. It seems to have fallen for the classic idea of returning to home turf for a big climatic battle which doesn't look at all appealing here. Add obvious love hinting and Mila Kunis evolving into a 'badass', it seems all too simple from the makers of The Matrix.

The Wedding Ringer

Kevin Hart is currently a king of comedy in the box office, whilst human Olaf Josh Gad is slowly going up the ladder of stardom. This does have a good enough premise, but it does fall flat in actuality. Jokes fail, particularly that flamed grandmother, and it's predictable as heck. Pass!

Blackhat

This has a similar feel to last year's stinker The Fifth Estate. Big name star, computer hacking, politics...it's all alike. The actors look a little bored and various scenes do appear to look dull, while the direction is a little shoddy. It isn't that appealing.

Inherent Vice

Oh boy, I suddenly got pumped for this movie! Having heard a lot of buzz before production began, and with many cinephiles in a flurry for this, this trailer's appearance certainly helps clear away the unknown. It's funny, a strong cast, and a nice 70s feel to it through its music, setting and feel. It has a classic vibe and I cannot wait for it. My only problem is the narrator at the end, but it's certain that it won't be inn the final film.

Horrible Bosses 2

While the trio do obviously have strong chemistry, and it's clear they're going on the 22 Jump Street route of having their mentor be more of a part in this film (in this case Jamie Foxx), but there's very little going for it besides that. Maybe the Fight Club scene but the rest is rather simple and overdone.

Exodus: Gods and Kings

Ahh, the biblical epic; current residence of Ridley Scott following the critical mauling of The Counselor last year. Similarly to the first trailer, I'm not really getting into it. It has good enough visuals but is limited in subsistence and feels more or less the same as Noah.

Interstellar

Christopher Nolan has earned the respect of audiences and critics following the Dark Knight trilogy and Inception, so it's clear that this film has incredibly high levels of hype - already there's Oscar buzz despite there being no screenings yet. For this final tease, it plays more on the exploration aspect then the effects on the world leading up to it, which makes a refreshing change and gives off the opportunity to see more of Anne Hathaway and Nolan's strong directive style. I look forward to its release next month.

Tak3n

Liam Neeson is at it again, and this time he's the one being hunted down in this trilogy finale. It's good that they've added a twist to the storyline instead of a rehash, and with the death of Fanke Janssen increases the danger whilst exploring Neeson's past. Yes, there's a simple premise, but it may reinvigorate the series for its final outing.

Inside Out

2015 is a big year for Pixar. Not only are they returning to the fray with two new films (this and The Good Dinosaur) after a year off, but also they're celebrating 20 years of feature films and the original Toy Story. As such, the trailer plays on that by opening with a montage going through almost all Pixar's films - bar Toy Story 2 and Cars 2 - from Toy Story to Up and many more. It's a celebration edited really well, and the choice of clips really shows how proud they are of their work and how they affect the audience. Having done a Pixar marathon earlier this year, it gives a brief look at what I loved about those films. Then comes the new stuff, with a quick introduction to the characters of our next grand adventure, and it's definitely got me pumped. The animation looks beautiful, the casting is strong (I just love that Amy Poehler is voicing Joy, having just gone through all six seasons of Parks and Recreation recently and loved it), and it just looks great. It's simple but incredibly effective, and even gave off a laugh in its short moments of screentime. I look forward to 2015.