Interstellar
Just missing out of the previous installment of Trailer Talk, this new trailer for Christopher Nolan's highly anticipated film gives out a lot more than the previous, which focused primarily on the state of Earth and why Matthew McConaughey is leaving behind his family. Here, it shows off a lot more the actual explorations as well as co-star Anne Hathaway, who remained mostly absent in previous marketing ploys. It's highly impressive, brilliantly directed and easily one to look forward to this November.
Night at the Museum: Secret of the Tomb
It's difficult to try and review a trailer like this so soon after the passing of an actor from said film, particularly in this case with the late great Robin Williams. But for this continuing franchise, it is clear that Williams is still giving his all, possibly receiving more screen-time than in the 2009 entrant Battle of the Smithsonian, and again outshining his fellow co-stars. I do give kudos to the make up team for the film - I barely recognised Ben Stiller in his dual role as a caveman - but it does seem to be lacking in its attempt to revitalise itself and cash in on the strong British appeal. Add a phoned in British accent by Rebel Wilson, it could be a second blunder for the series, but at least it's making the most out of the maguffin's premise with an interesting plot.
The SpongeBob Movie: Sponge Out of Water
This is an interesting one. When I first saw this, I was traumatised by it; disgruntled by its premise and its humour. But upon a rewatch, it's actually okay. Whilst I despise Nickelodeon's attempt to cash in on the growing superhero popularity by turning SpongeBob and co. into costumed crusaders, and any joke involving human characters bursts the imaginative bubble the brand blows, the animation of the characters in both dimensions does work. Usually CGI-human hybrid films like The Smurfs and Teenage Mutant Ninja Turtles fail to convert the characters into the next dimension, but the animators have managed to do so almost perfectly whilst keeping the flair of their personalities. The jokes mainly work, but humans are a turn-off for this theatrical spin-off.
Into the Woods
All I know of this musical adaptation is that it features various fairy tale characters such as Cinderella and Little Red Riding Hood, and that's what this teaser plays on; it plays on the wishes of the various protagonists from all the childhood classics and brings them together while promoting its all-star cast ranging from Emily Blunt to Meryl Streep. It works as a brief look into the world to come, but I pray that future promotions will have more sustenance.
Believe Me
I've been watching a lot of Parks and Recreation over the last few weeks, so seeing Nick Offerman repeat his role in a slightly lighthearted fashion. But that's all there is to this trailer. I'm not even sure I know what the premise of the film is except the lead is no longer doing his scholarship and some executives get involved in his stagework. That's all I know. Not that funny either.
The Theory of Everything
It isn't Trailer Talk without a trailer for a life story event! This time Eddie Redmayne in what many are calling an Oscar-deserving performance as Stephen Hawking, the second of which following Daniel Day-Lewis' Oscar-winning portrayal in 1989's My Left Foot. And while I doubt Redmayne will win an Oscar for his portrayal, there is a good chance he'll be nominated as he does a superb job. It has a good enough premise and could well be an Oscar contender for Best Picture. However, it is somewhat too cheery amidst its life-threatening plotline, and Felicity Jones is somewhat underused in this trailer. Aside from that, something to look out for come award season.
The Penguins of Madagascar
Why are Dreamworks pushing that cheese puffs joke as a highlight? Yes, I still have problems with that joke. Aside from that repeated joke, this trailer features mainly new material including yet another baby-version-of-character inclusion (following in the footsteps in Monsters University, Madagascar: Escape 2 Africa and many more) and exploration of various countries and cities (like Madagascar 3: Europe's Most Wanted...they aren't exactly keeping original within its universe). A few of the early jokes worked, but there is something distinctly lacking in this spin-off.
The Book of Life
This time round, it appears that the studios have opted for more of a comedic ordeal as opposed for its previous showcase of design and story, as this trailer fills itself with modern sayings (to which I say poor Channing Tatum) as opposed to the high quality animation at hand. What boggles me the most is that Christina Applegate and Ice Cube have higher billings than the main cast of the trailer, let alone the film itself. It still looks inventive, but the comedy may be a little lacking even for a family film.
Men, Women and Children
It'll be interesting to see whether Adam Sandler will be able to be a better actor than he is a comedian, as this trailer is mainly mute against the musical marketing ploy. Whilst the fact that this is directed by the brains behind Up in the Air and Juno, and is tackling the growing social media aspect of life in society, it does come off as somewhat bland and possibly with too many narratives. As much as I love the inclusion of text bubbles as seen in The Fault in Our Stars and Chef, it may be pushing it too far.
Annabelle
When the first teaser came out, I said that it made a refreshing change that one of the protagonists was with child during the events which take place. Now that I've seen this trailer, I must revoke that statement. What could have been a great horror film has been reverted into the same-old jump scare malarkey. There isn't much to really add.
The Woman in Black: Angel of Death
I remember back in 2012 all of my classmates being freaked out by The Woman in Black, which left high anticipations and fears for a viewing amongst my classmates. But whilst it was a strong show by Daniel Radcliffe in his first post-Harry Potter role, it left a lot to be desired and little fear. So for this teaser, I remembered that and felt like it kept consistent. That being said, it doesn't push me into seeing the sequel, just to remember what happened in the first one. That said, it is a teaser, so it doesn't give off much a plot outside of ARGH SCARY THINGS IN A HOUSE GODDAMN DEAD WOMAN HAUNTING ME.
Thursday, 21 August 2014
Wednesday, 13 August 2014
Boyhood (2014) Movie Review
Boyhood is a film which has sent critics aflurry with strong devotion to the whole prospect of keeping a single cast for 12 years for one film. And when the trailer was released earlier this year, I too was instantly hooked and excited for the final product. And whilst I was overall underwhelmed by it, it was still a great film.
I love the idea of the film of keeping a simple cast for 12 years, and with that the actors do a tremendous job. Mason Jnr (Ellar Coltrane) is a likable lead who grows as an actor as time progresses. He doesn't subject himself to a specific type of kid like various films beforehand despite initial fears with brief spurs with bullying and rebellious nature, whilst Samantha (Lorelei Linklater) manages to portray a good enough older sister. But whilst the film promotes itself as being all about Mason Jnr growing up, it's all really about parents Olivia and Jason Snr (Patricia Arquette and Ethan Hawke) and how they progress from their divorce whilst juggling their kids and separate marriages. Whilst mainly focused on Olivia and her various marriages, the two grow too as time progresses, taking past events into effect, and by the end when they say their farewells to Mason Jnr it is emotional. As for other cast members, they do quite simply come and go, without future reference; understandably due to it being focused on life, but also somewhat disappointingly.
There is no actual plot to the film, as it constantly shifts its focus for each year it covers, whether it be abusive fathers, relationships, or quite simply growing up. With that, the film can feel disjointed and the audience will struggle to keep up and catch up. And yet it feels right to not have a single plot, as it would make up for a very dull film and an incredibly slow journey for these characters. When each event occurs, it is great viewing, but nevertheless the full film is quite clearly in segments. It also doesn't help that the first few years are difficult to date, as neither child has significant growth. Once puberty kicks in, it's a lot more noticeable, but beforehand you rely solely on references to that time such as Gameboys and Obama.
It's already well established that this was Richard Linklater's baby, working on it every year whilst making the likes of School of Rock and Bernie, and it's clear that he's putting his all into his direction as it is a thing of beauty. Every shot is stunning, and the editing is done superbly. The final shots of Mason Jnr travelling to his new home to 'Hero' is one which clearly sows that we're reaching the end of his 12 year journey, and it prepares you for the end.
But by the time it's all over, you don't want it to. You want to see Mason grow through college and into adulthood. His first full time job, his wedding, family life, and so on. It's a story which is broken and slow but which doesn't deserve to end. When the credits roll, you want the next chapter to follow. Boyhood may not have reached my extraordinarily high expectations, but it did make a brilliant movie. 8/10.
Tuesday, 29 July 2014
Trailer Talk: Comic Con, Cumberbatch and Cusack-less Time Machines
A delayed instalment due to the onslaught of trailers coming in from San Diego Comic Con, but with things slowing down now seems like the right time to get back on track!
Big Hero 6
Whilst it may not pack as much of an emotional punch as the Japanese trailer released hours later, the most recent trailer for the next Disney Animation film does look like another win for the studio. Whilst the animation on Baymax during the Sellotape scene does look a little off with the folds of his arms, the film does look visually stunning and the jokes succeed when needing to. It does borrow slightly from the earlier teaser trailer, but Big Hero 6 still looks like a win for Disney.
Laggies
Another indie film with predictabilities aplenty but with some surprise appeal. Keira Knightley is doing well with her American accent, whilst it's always good to see Sam Rockwell and Chloe Grace Moretz still at work, especially following the poor year Moretz had with Carrie and Kick Ass 2 both underperforming. It could be good, but wait until the reviews are out.
Ouija
So what happens when you mix a generic horror film with the same ol' formula that's been done to death with a superstitious board game? Why you get Ouija! Whilst hearing about the film did originally leave me intrigued, this trailer has thrown that interest straight into the pits of Hell. Poor show, Hollywood.
Annabelle
Another horror film, this time a spin-off from the immensely popular 2013 film The Conjuring. With a slight feel of the Chucky series and The Shining due to the neighbours being possessed by the doll, it does give off the idea of borrowed sources. But it does give off a wave of change by having one of the protagonists pregnant, which does add an additional sense of tension as the child will inevitably be ready during the film. Like all horror films, it will likely earn its money back and make some sort of profit, especially under the Conjuring name.
The Imitation Game
Unlike the various "Based on a true story" film trailers I've reviewed over the past few months, there is something rather special about The Imitation Game. It does borrow immensely to Benedict Cumberbatch's performance in Sherlock when it comes to the character himself, but by changing his voice Cumberbatch does give himself a bit more of an advantage to his fellow Oscar contenders. Add a wartime story which the Academy eats up and another award-attempt for Keira Knightley, it could be something special. But if anything, it's a film for the Sherlockians to eat up because of Cumberbatch.
Dear White People
There's a hint to Tumblr in all of this racism. Whilst it's great that studios are recognising just how racist media can be, and as a repercussion society, it does seem to be pushing the limit by being racist in return. It feels like a statement which is proving one thing whilst being another. And why the reference to Tumblr? Well, these days it's appearing anti-white as a backlash to all the racism against black people from the past and present. So in a way, it's just the online prelude of this film.
Fifty Shades of Grey
I feared for the day that this trailer would come up. I really don't want to watch this trailer, or even look at the thumbnail, but here goes nothing...
The things I do for this column. To start with, the film does look like a generic love film. A bigwig boss falls for a small perky journalist. Add a not-into-romance subplot and lines filled with incredibly high amounts of clichés, and it wouldn't have that much buzz outside of the new rendition of Beyoncé's 'Crazy in Love'. But then come the green-band sex hints at the end, reminding the viewers that this is Fifty Shades of Grey. You know, that book that was popular back in 2012 but quickly left everyone's minds when they realised it was nothing more than fanfiction with different names. I doubt it will do very well at the box office due to its sexual nature and unoriginal premise.
Hot Tub Time Machine 2
Speaking of forgotten stories, remember Hot Tub Time Machine? Released in 2010? I doubt it, as it was the year of Inception, Alice in Wonderland and Toy Story 3, but surprisingly studios want more from the group (now a trio, but hinting to the addition of Adam Scott as a replacement for John Cusack). This time the band of misfits travel to the future following their success at changing the past. The writers do seem to be in the old-timey sense that nerds are uncool in a world filled with Marvel and DC films breaking the billion dollar mark, and the jokes do falter, but it will likely impress fans of the original.
COMIC CON TRAILERS/TEASERS
Batman V Superman: Dawn of Justice (no link)
Yes, I'm taking a look-in to the highly anticipated DC mashup. From what I've seen of footage from Comic Con, this teaser is nothing more than a set-up for the two duelling. Sounds like nothing new, and it technically is. But actually seeing the two Goliaths together, with Ben Affleck prepared for his bought with a different Bat suit, is enough to keep anticipations rising. As something that isn't more than a minute long in material, it is enough to quench appetites.
Tusk
Hmmm. I can't say I've seen anything of Kevin Smith's prior to this trailer, but it does leave me intrigued at how his films work. It's clear that he's trying to make an absurd premise for a horror film both serious and hilarious at the same time, but it does leave you unsure as to how to feel. Are you meant to laugh or scream?
Mad Max: Fury Road
This may well be the most interesting action-packed car-based film to come out in the near future (sorry Fast and Furious fans, but I'm not a fan). Not only does it feature some superb direction and attention to detail - I'm pretty sure that two-headed lizard is real - but it does look beautiful. However, that may not mean great story or characters, which have no focus in this trailer.
The Hobbit: The Battle of the Five Armies
And so it comes to this, possibly the very end of the Middle Earth saga which Peter Jackson has put painstakingly long hours of work into. It may spoil the very beginning and answer the cliffhanger left from The Desolation of Smaug, and once again shoehorn a hint to the Eye of Sauron, but it also has a feeling similar to that of the trailers for Harry Potter and the Deathly Hallows. It does look like even less of a Bilbo-centric film like Smaug, but it will still be a highly-anticipated film for audiences and fans alike. Perhaps myself included.
The Hunger Games: Mockingjay - Part One
Guess who isn't excited for this movie?! Yep, after already trudging through the past Hunger Games instalments, I've come across this two-part finale with low expectations. And deservingly so, as there is nothing to grasp with this. Heck, even Jennifer Lawrence, an actress who has excelled in the roles in X-Men and Silver Linings Playbook, looks wooden here. Add an out-of-place Natalie Dormer and Julianne Moore, and it has the makings of another snorefest from Lionsgate.
The Maze Runner
So...The Hunger Games meets the third Triwizard Tournament from Harry Potter and the Goblet of Fire much? Plus a singular female character who happens to know the protagonist and mystery in the air, it doesn't seem like a grand addition to the fray of TA adaptations. To put it simply, pass.
Deadpool (test footage, no link)
Not a Comic Con exclusive but instead a recent leak of test footage. This may be Ryan Reynolds' sixth attempt at a comic book movie (following Blade: Trinity, X-Men Origins: Wolverine, Green Lantern and R.I.P.D), but it may well be his most successful, as it does look appealing. Yes, it is all CGI, but he does have the voice and humour for the character, plus the animators have his visual humour spot-on. So go ahead Fox, make this movie!
Big Hero 6
Whilst it may not pack as much of an emotional punch as the Japanese trailer released hours later, the most recent trailer for the next Disney Animation film does look like another win for the studio. Whilst the animation on Baymax during the Sellotape scene does look a little off with the folds of his arms, the film does look visually stunning and the jokes succeed when needing to. It does borrow slightly from the earlier teaser trailer, but Big Hero 6 still looks like a win for Disney.
Laggies
Another indie film with predictabilities aplenty but with some surprise appeal. Keira Knightley is doing well with her American accent, whilst it's always good to see Sam Rockwell and Chloe Grace Moretz still at work, especially following the poor year Moretz had with Carrie and Kick Ass 2 both underperforming. It could be good, but wait until the reviews are out.
Ouija
So what happens when you mix a generic horror film with the same ol' formula that's been done to death with a superstitious board game? Why you get Ouija! Whilst hearing about the film did originally leave me intrigued, this trailer has thrown that interest straight into the pits of Hell. Poor show, Hollywood.
Annabelle
Another horror film, this time a spin-off from the immensely popular 2013 film The Conjuring. With a slight feel of the Chucky series and The Shining due to the neighbours being possessed by the doll, it does give off the idea of borrowed sources. But it does give off a wave of change by having one of the protagonists pregnant, which does add an additional sense of tension as the child will inevitably be ready during the film. Like all horror films, it will likely earn its money back and make some sort of profit, especially under the Conjuring name.
The Imitation Game
Unlike the various "Based on a true story" film trailers I've reviewed over the past few months, there is something rather special about The Imitation Game. It does borrow immensely to Benedict Cumberbatch's performance in Sherlock when it comes to the character himself, but by changing his voice Cumberbatch does give himself a bit more of an advantage to his fellow Oscar contenders. Add a wartime story which the Academy eats up and another award-attempt for Keira Knightley, it could be something special. But if anything, it's a film for the Sherlockians to eat up because of Cumberbatch.
Dear White People
There's a hint to Tumblr in all of this racism. Whilst it's great that studios are recognising just how racist media can be, and as a repercussion society, it does seem to be pushing the limit by being racist in return. It feels like a statement which is proving one thing whilst being another. And why the reference to Tumblr? Well, these days it's appearing anti-white as a backlash to all the racism against black people from the past and present. So in a way, it's just the online prelude of this film.
Fifty Shades of Grey
I feared for the day that this trailer would come up. I really don't want to watch this trailer, or even look at the thumbnail, but here goes nothing...
The things I do for this column. To start with, the film does look like a generic love film. A bigwig boss falls for a small perky journalist. Add a not-into-romance subplot and lines filled with incredibly high amounts of clichés, and it wouldn't have that much buzz outside of the new rendition of Beyoncé's 'Crazy in Love'. But then come the green-band sex hints at the end, reminding the viewers that this is Fifty Shades of Grey. You know, that book that was popular back in 2012 but quickly left everyone's minds when they realised it was nothing more than fanfiction with different names. I doubt it will do very well at the box office due to its sexual nature and unoriginal premise.
Hot Tub Time Machine 2
Speaking of forgotten stories, remember Hot Tub Time Machine? Released in 2010? I doubt it, as it was the year of Inception, Alice in Wonderland and Toy Story 3, but surprisingly studios want more from the group (now a trio, but hinting to the addition of Adam Scott as a replacement for John Cusack). This time the band of misfits travel to the future following their success at changing the past. The writers do seem to be in the old-timey sense that nerds are uncool in a world filled with Marvel and DC films breaking the billion dollar mark, and the jokes do falter, but it will likely impress fans of the original.
COMIC CON TRAILERS/TEASERS
Batman V Superman: Dawn of Justice (no link)
Yes, I'm taking a look-in to the highly anticipated DC mashup. From what I've seen of footage from Comic Con, this teaser is nothing more than a set-up for the two duelling. Sounds like nothing new, and it technically is. But actually seeing the two Goliaths together, with Ben Affleck prepared for his bought with a different Bat suit, is enough to keep anticipations rising. As something that isn't more than a minute long in material, it is enough to quench appetites.
Tusk
Hmmm. I can't say I've seen anything of Kevin Smith's prior to this trailer, but it does leave me intrigued at how his films work. It's clear that he's trying to make an absurd premise for a horror film both serious and hilarious at the same time, but it does leave you unsure as to how to feel. Are you meant to laugh or scream?
Mad Max: Fury Road
This may well be the most interesting action-packed car-based film to come out in the near future (sorry Fast and Furious fans, but I'm not a fan). Not only does it feature some superb direction and attention to detail - I'm pretty sure that two-headed lizard is real - but it does look beautiful. However, that may not mean great story or characters, which have no focus in this trailer.
The Hobbit: The Battle of the Five Armies
And so it comes to this, possibly the very end of the Middle Earth saga which Peter Jackson has put painstakingly long hours of work into. It may spoil the very beginning and answer the cliffhanger left from The Desolation of Smaug, and once again shoehorn a hint to the Eye of Sauron, but it also has a feeling similar to that of the trailers for Harry Potter and the Deathly Hallows. It does look like even less of a Bilbo-centric film like Smaug, but it will still be a highly-anticipated film for audiences and fans alike. Perhaps myself included.
The Hunger Games: Mockingjay - Part One
Guess who isn't excited for this movie?! Yep, after already trudging through the past Hunger Games instalments, I've come across this two-part finale with low expectations. And deservingly so, as there is nothing to grasp with this. Heck, even Jennifer Lawrence, an actress who has excelled in the roles in X-Men and Silver Linings Playbook, looks wooden here. Add an out-of-place Natalie Dormer and Julianne Moore, and it has the makings of another snorefest from Lionsgate.
The Maze Runner
So...The Hunger Games meets the third Triwizard Tournament from Harry Potter and the Goblet of Fire much? Plus a singular female character who happens to know the protagonist and mystery in the air, it doesn't seem like a grand addition to the fray of TA adaptations. To put it simply, pass.
Deadpool (test footage, no link)
Not a Comic Con exclusive but instead a recent leak of test footage. This may be Ryan Reynolds' sixth attempt at a comic book movie (following Blade: Trinity, X-Men Origins: Wolverine, Green Lantern and R.I.P.D), but it may well be his most successful, as it does look appealing. Yes, it is all CGI, but he does have the voice and humour for the character, plus the animators have his visual humour spot-on. So go ahead Fox, make this movie!
Friday, 25 July 2014
Guardians of the Galaxy (2014) Movie Review
As the final film in Marvel Studios’ Phase Two prior to the
highly anticipated Avengers: Age of Ultron and the only original film within a wave of sequels, Guardians of the Galaxy is the studio’s
biggest risk yet. It features no major characters from previous films bar an
extended appearance by Benicio del Toro (The
Collector, as seen in the credits of 2013’s Thor: The Dark World) and
a surprise visit by a certain character, features two insane characters in the form
of an anthropomorphic raccoon and tree, and three villains in the form of Ronan
the Accuser (Lee Pace), Nebula (Karen Gillan) and Korath (Djimon Hounsou) which has been a
franchise killer for fellow Marvel property Spider-Man. But where it lacks in those areas, it does have the
strengths of being under the Marvel Studios name and being headed by the
currently successful Chris Pratt –
following the strong successes for Her and
The LEGO Movie. But could Guardians of the Galaxy continue the
trend of big hits for Marvel Studios or is this a slump for their tenth
feature?
Story-wise, Guardians
does play it safe by having a team up adventure where they’re hesitant to
begin with before growing to like one another, a formula previously success
with 2012’s Avengers Assemble. It is
a formula which works well, and doesn’t force the discomfort of the characters
for very long once they’re sent to the Kyln – a prison planet. But through this
is it does also mean that the film does falter with its villains. Korath is
given very little to do outside of his appearance in the first few minutes and
the big battle in the third act, Nebula is very much a one-dimensional
character who craves attention against sister Gamora (Zoe Saldana), and Ronan, whilst intimidating, is placed under the
title of threatening through conversation rather than appearance and actions.
Even at the end, it’s believed that he’s overthrown in the easiest of manners
until proven otherwise. However, they do succeed in bringing the story along
through the journey of the Guardians, who are a joy to watch.
Starting off with Peter Quill (Chris Pratt), it’s made clear that this has been a banner year for
the comedic actor. Quill is an incredibly strong character with a strong
backstory as seen in the opening of the film. When he jokes, he succeeds; when
he’s emotional, he succeeds; and so on. He is fun to watch as he brings his
fellow outcasts together as he tries to save the galaxy for the sheer reason
that “I’m one of the idiots who live in it”. Female comrade Gamora is also a
nice change along the lines of Black Widow (Scarlett Johansson) as a character not defined by her sexuality
unlike various action films prior. As the sole primary female character, she
does have a lot against her, but Saldana
breaks out and makes a strong impact, even if her relationship with Nebula
is conventional. With the casting of wrestler Dave Bautista as Drax, it does appear as more of a choice through physicality
than acting chops, but thankfully the character is so literal and deliberately
one-note that it really works, especially when it comes to Marvel’s trademark
comedy. He’s the character who grows the most as he becomes more than an
avenger of his family. But possibly the main highlight of the film is the extravagant
duo that is Rocket and Groot (Bradley
Cooper and Vin Diesel respectively),
as the two beings bring off two different emotions which brings the film up
from being more than a simple superhero film. Cooper brings off the snarky personality which great ease and not
being held down by an family-related backstory like his fellow Guardians,
whereas Diesel manages to present so
much emotion through his incredibly limited vocabulary as Groot’s clueless
nature brings off a variety of feelings for the audience, ranging from
happiness, hilarity and heart-warming.
As for secondary characters, they don’t play much purpose
outside of threatening or helpful. The
Collector is only there briefly for a bit of exposition, Quill’s mentor Yondu (Michael Rooker) is a mixture of hunter
and saviour, and the members of the Nova Corps are there as part of the
backstory for Ronan and why everyone fears him. John C. Reilly is in possibly his best roles yet, but that is
slightly biased for someone who isn’t a big fan of the likes of Step Brothers or The Dictator, whilst Glenn
Close is likable enough in her limited screen-time.
Guardians of the
Galaxy may play safe with its formulaic approach and limited approach to
its antagonists, its protagonists and comedic elements brings the film up as
being a strong recruit into Marvel Studios’ roster. Add some popular 70s/80s
music throughout, breakout comedy on par with Iron Man 3 and Avengers
Assemble and some strong visuals by director James Gunn, it does make up a strong film which is great to watch
from start to finish. I can’t comment on the end credits sequence(s) due to it
being kept until official release next week, but even without those teasers it
is still great viewing. 8/10
Guardians of the Galaxy is released in the UK 31st July and USA on 1st August
Saturday, 19 July 2014
Dawn of the Planet of the Apes (2014) Full Review
We return to the land of the Ape in this sequel to the 2011
prequel (Rise of the Planet of the Apes)
of the classic 1968 franchise, in which it’s breaking point between the
intellectual primates and the remaining humans, with the two species not
wanting to harm one another but have to face the differences that they have.
One thing the film does have against itself is that it isn’t the most original
premise in comparison to its predecessor. It’s a basic synopsis which has been
done to death in various mediums and franchises, with one or more characters
causing the battle to fall into effect. However, with that said, the various
writers do allow a lot more to it with the way both factions act. Very early
on, it’s made clear that neither side wants war but will do so if the other
takes action, and thanks to a remarkable opening title sequence which brings
the audience up to speed with the events between this and the previous film,
shows off the fears that they have. When all the apes go to the humans, there
is clearly a sense of panic within the characters’ actions and expressions, and
even a singular human brings worry to a handful of apes. Whilst it does follow
the constant “We can/can’t trust them” storyline, and a rather forgiving leader
in the form of Andy Serkis’ Caesar,
it does end up as a thoroughly enjoyable film with the occasional emotional
kick.
The difficult thing about the apes in this film is that they
are all real actors doing motion capture as opposed to the usual pure CG
creations that various films include, and with that they need to try their very
hardest to act like apes, albeit intelligent ones, without looking too comedic.
But after Serkis’ strong performance
in the previous film, he successfully guides his fellow primates and the
audience into possibly some of the best acting on film of the last year. Thanks
to WETA’s superb animation making these monkeys look incredibly realistic; you
forget that these are just people in weird costumes. Outside of Serkis, there is no standout
performance as all of these actors are doing superbly. But the most notable of
which is of course Koba (Toby Kebbell),
who is a rather menacing monkey who does a terrifying portrayal, as you can
tell from recent TV spots and trailers. Besides him, the other apes are there
as family, friends, or various extras.
The humans are a bit more of a mixed bag, as many of them do
fall for the usual character tropes. The first of which is Malcolm (Jason Clarke), who seems to be
instantly captivated by Caesar following their first meeting. Whilst he is a
likable lead, and in fairness a good enough presence amongst the various chimps,
he does come across as a bit too perfect and quickly solves any disarray
between the two factions. Wife Ellie (Keri
Russell) is there for either moral support or nursing whilst Kodi Schmidt-McPhee is memorable only
for his ability to draw. He does forge some form of friendship between Maurice
the orangutan but is quickly used as a protective piece scenes later, before
being dropped completely. But still, a nice touch in a brief heart-warming
scene between the duo. You do get the
characters that don’t trust the apes, but they are quickly taken out of the
picture so they don’t take up too much of the screen time, whilst Gary Oldman isn’t exactly in the
mindset as seen in all the trailers. He does play a generic leader, who gives
off a big speech at some point, but by no means does he detract for the overall
quality of the film.
Whilst there are various minor factors which can lessen the
film’s overall quality, Dawn of the
Planet of the Apes was an incredibly enjoyable film from start to finish,
as a grand continuation to Rise whilst
setting up nicely for future instalments (including the inevitable Planet of the Apes). Whilst not the
most original film out there this summer, it is by far one of the best thanks
to strong performances, perfect special effects and likable – and rightly dislikeable
– characters. 8/10.
Friday, 11 July 2014
Trailer Talk: Jolie, Jimi and Gillian
Dracula Untold
The fact that this trailer presents its title within the first 40 seconds of the trailer really gives off an idea of the film's quality. Whilst it succeeds in presenting a dark broody tone for the horrific action hybrid, and Luke Evans is certainly trying to give his all to this troubled script, it does look a bit poor. It gives off the usual plot ideal as various films prior in which the main character is losing his humanity whilst trying to be a husband and father...wait, isn't this just like the first half of this year's RoboCop reboot?
The Skeleton Twins
This does look like a simplistic indie film with big comedic talent as they try and break out of their moulds with calm jokes as opposed to the bombastic humour seen in Wiig and Hader's filmography. Maybe it'll work, maybe it won't, but it's far too subtle in this trailer with more focus on the emotions of these characters.
Hector and the Search for Happiness
With this trailer, it looks like Simon Pegg is taking a leaf out of Adam Sandler's book by featuring in a comedy which takes place in another country, in this case several. However, unlike Sandler, who brings along friends to make various fart/poo jokes, Pegg is treating it more like a tour guide to all the countries featured and how much fun can be had. And whilst it does fall for the silly emotional aspect as expected with wife Rosamund Pike, there were times in which the jokes did succeed - more in an internal amusement way than aloud.
Beyond the Lights
I watched this trailer for the pure reason of Gugu Mbatha-Raw, following her strong performance as the titular role in Belle, intrigued as to whether she could pass along her expertise in a film I had no knowledge of. But alas, whilst the singing is good and the chemistry is realistic, it too follows simplistic storylines with a star forced into this light who doesn't feel like she's herself. Nothing too special.
Horrible Bosses 2
I haven't seen the first Horrible Bosses so I can't really comment on the consistency of the jokes and storyline. What I am sure of though is that, surprisingly, there are some good jokes involved, and if not then the delivery really helps out (namely with Jennifer Aniston's scene at the end). The trailer does quite simply show that this is the tone this series goes in, and if new viewers like it they should view it.
Jimi: All is By My Side
This does look like a promising biopic on the infamous singer from the 60s, with a strong performance shining through by André Lauren Benjamin. I doubt it will resonate as much as it will come cinematic release, but it does look like a film critics will enjoy with its racial themes and great musical numbers.
Sharknado 2: The Second One
Of course I'm going to venture into the odd world of Sharknado, one of the most popular TV movies of the last year, with this sequel trailer. I haven't seen the first 'instalment' but from what I've gathered about The Second One is that it's likely it follows in the footsteps of its predecessor. I shan't be in a hurry to watch this pile of chum, but it's probable that many will.
Guardians of the Galaxy
Just when I thought the final trailer had been released, another one pops up out of nowhere. Perhaps the weakest of the trailers to date, it works more as an advertisement of the various 80s songs which feature in the same way as the previous inclusions. The part which does work is the extended clip from the "That's a fake laugh" scene from the previous trailer, which has a hilarious continuation with Groot (Vin Diesel). It's already established that I am excited for this film, and look forward to its release. 20 days to go!
Gone Girl
This is a film which has a lot of buzz, with the source material being based on the popular novel by Gillian Flynn and the increasing popularity of future Batman Ben Affleck with the successes of The Town and Argo. This too has a large Oscar buzz, and this trailer really adds heat to the Oscar flame. Whilst I dislike the concluding shots of Pike for possible spoilers, the rest looks absolutely superb.
Exodus: Gods and Kings
I have a bit of a sour taste with religious movies following the borefest that is Noah, so seeing another Biblical epic does leave me worried. Add Ridley Scott coming off from 2013's critical flop The Counselor, and it does create fear. I'm not familiar with the full story of Moses, but I can't say this trailer wins me over. I wasn't even sure which character was which until a second viewing which can give off further fear for studios and audiences alike. Take caution with what is shown.
Unbroken
Angelina Jolie returns behind the camera in her second directorial attempt following critical flop In the Land of Blood and Honey, and this time there's a lot more buzz for reasons unknown to me. It does feel like another one of those "epic true stories" which are made left right and centre these days, but Jolie has stepped up her game in terms of direction as it looks a lot more sleek. There's some great editing involved and an interesting premise, but I'm unsure on how emotional it will be in comparison to how much it wants to be. There's a wind of cliché within it all with the strong patriotism so it may fail with foreign audiences, but who knows.
The fact that this trailer presents its title within the first 40 seconds of the trailer really gives off an idea of the film's quality. Whilst it succeeds in presenting a dark broody tone for the horrific action hybrid, and Luke Evans is certainly trying to give his all to this troubled script, it does look a bit poor. It gives off the usual plot ideal as various films prior in which the main character is losing his humanity whilst trying to be a husband and father...wait, isn't this just like the first half of this year's RoboCop reboot?
The Skeleton Twins
This does look like a simplistic indie film with big comedic talent as they try and break out of their moulds with calm jokes as opposed to the bombastic humour seen in Wiig and Hader's filmography. Maybe it'll work, maybe it won't, but it's far too subtle in this trailer with more focus on the emotions of these characters.
Hector and the Search for Happiness
With this trailer, it looks like Simon Pegg is taking a leaf out of Adam Sandler's book by featuring in a comedy which takes place in another country, in this case several. However, unlike Sandler, who brings along friends to make various fart/poo jokes, Pegg is treating it more like a tour guide to all the countries featured and how much fun can be had. And whilst it does fall for the silly emotional aspect as expected with wife Rosamund Pike, there were times in which the jokes did succeed - more in an internal amusement way than aloud.
Beyond the Lights
I watched this trailer for the pure reason of Gugu Mbatha-Raw, following her strong performance as the titular role in Belle, intrigued as to whether she could pass along her expertise in a film I had no knowledge of. But alas, whilst the singing is good and the chemistry is realistic, it too follows simplistic storylines with a star forced into this light who doesn't feel like she's herself. Nothing too special.
Horrible Bosses 2
I haven't seen the first Horrible Bosses so I can't really comment on the consistency of the jokes and storyline. What I am sure of though is that, surprisingly, there are some good jokes involved, and if not then the delivery really helps out (namely with Jennifer Aniston's scene at the end). The trailer does quite simply show that this is the tone this series goes in, and if new viewers like it they should view it.
Jimi: All is By My Side
This does look like a promising biopic on the infamous singer from the 60s, with a strong performance shining through by André Lauren Benjamin. I doubt it will resonate as much as it will come cinematic release, but it does look like a film critics will enjoy with its racial themes and great musical numbers.
Sharknado 2: The Second One
Of course I'm going to venture into the odd world of Sharknado, one of the most popular TV movies of the last year, with this sequel trailer. I haven't seen the first 'instalment' but from what I've gathered about The Second One is that it's likely it follows in the footsteps of its predecessor. I shan't be in a hurry to watch this pile of chum, but it's probable that many will.
Guardians of the Galaxy
Just when I thought the final trailer had been released, another one pops up out of nowhere. Perhaps the weakest of the trailers to date, it works more as an advertisement of the various 80s songs which feature in the same way as the previous inclusions. The part which does work is the extended clip from the "That's a fake laugh" scene from the previous trailer, which has a hilarious continuation with Groot (Vin Diesel). It's already established that I am excited for this film, and look forward to its release. 20 days to go!
Gone Girl
This is a film which has a lot of buzz, with the source material being based on the popular novel by Gillian Flynn and the increasing popularity of future Batman Ben Affleck with the successes of The Town and Argo. This too has a large Oscar buzz, and this trailer really adds heat to the Oscar flame. Whilst I dislike the concluding shots of Pike for possible spoilers, the rest looks absolutely superb.
Exodus: Gods and Kings
I have a bit of a sour taste with religious movies following the borefest that is Noah, so seeing another Biblical epic does leave me worried. Add Ridley Scott coming off from 2013's critical flop The Counselor, and it does create fear. I'm not familiar with the full story of Moses, but I can't say this trailer wins me over. I wasn't even sure which character was which until a second viewing which can give off further fear for studios and audiences alike. Take caution with what is shown.
Unbroken
Angelina Jolie returns behind the camera in her second directorial attempt following critical flop In the Land of Blood and Honey, and this time there's a lot more buzz for reasons unknown to me. It does feel like another one of those "epic true stories" which are made left right and centre these days, but Jolie has stepped up her game in terms of direction as it looks a lot more sleek. There's some great editing involved and an interesting premise, but I'm unsure on how emotional it will be in comparison to how much it wants to be. There's a wind of cliché within it all with the strong patriotism so it may fail with foreign audiences, but who knows.
Friday, 27 June 2014
Trailer Talk: Tammy, Teenagers and...Pudsey?
Tammy
With the film finally being released next Friday, New Line Studios bring out this, the last trailer for the film. And now that I've seen all the trailers and teasers, it's easy to say that it's a film not worth seeing. As I've mentioned before, it's typical McCarthey fodder following Bridesmaids in 2011. It wasn't funny the first time or the second (Identity Thief), and certainly isn't here.
The Expendables 3
With the trailer stating that this is the final chapter, it leaves me relieved as it looks no different to the previous instalments, which too put me off. It's simply another instalment of "out of work classic actors club", further proved by the box office results of all of these actors in recent years. Even new addition Harrison Ford is having a rough time, hence an appearance here. It does have a crowd, but I'm not a member of it.
Guardians of the Galaxy
In this, the final trailer, the atmosphere is changed in comparison to the first two advertisements. Whilst it does initially rely on past Marvel hits and follow the usual dark tone of various superhero trailers, it does give an insight to the actual characters outside of the comedic aspects. Plus, Zoe Saldana finally shows off her acting chops after being mute in previous trails. The comedy at the end with Rocket (Bradley Cooper) and Star Lord (Chris Pratt) is great, and it remains a film I look forward to this summer.
Let's Be Cops
"Oh boy, this looks fun", I'd say if it was actually funny or worthy of my time. It's incredibly unfunny to the point that it makes me look at the world and wonder "is this really what we call entertainment?"
The Judge
Robert Downey Jr's first major role since Iron Man 3, the trailer does open with another one of those jokes which makes everyone but me laugh, which did make me worry about the quality of this film. And whilst it does have a simple "father-son reunion" storyline going on, it does do it in a new way, and may well be an appealing film. Downey's performance looks stellar, as does the rest of the cast, and it may be a surprise hit.
The Inbetweeners 2
I'm probably one of the few British teenagers not to like The Inbetweeners. The 2011 film was poor despite all the popularity amongst my fellow adolescents, and here it looks no different. With previous character development right out the window, some terrible sex jokes and even some sound clips from a 1950s back-catalogue, it verges on the cringeworthiness that made the first film so lovable. Heck, there's even a joke which is already outdated in the form of parents being unable to use computers. An insta-pass.
Dawn of the Planet of the Apes
This is the trailer I've been looking forward to. It doesn't play on the unoriginal story of a truce being broken, and instead on how the apes themselves break said truce. The scene with one of the apes and the two guards is excellent stuff and came right out of nowhere. Add some beautiful motion capture design and performances, it could be the surprise hit of the summer.
The Good Lie
Well, this looks no different to any other modern true story trailer. Add some oddly chosen music, poor (and possibly racist) comedy and a rather wooden Reese Witherspoon, it does put viewers like myself off. It probably doesn't help that Witherspoon was apparently arrested during filming, which could further keep away potential consumers.
The Wedding Ringer
Hmm, what do you get when he try to modernise The Wedding Crashers with current hot talents Kevin Hart and Olaf the Snowman? Why, another racist comedy, that's what! No laughs, barely any coverage on the likes of Kaley Cuoco (odd considering how popular her flagship show The Big Bang Theory is), and it's very hard not see Josh Gad without seeing his infamous snowman from Frozen. Perhaps a step too big for Gad, but on par for Hart.
Teenage Mutant Ninja Turtles
Ahead of Michael Bay's incoming Transformers: Age of Extinction comes the new trailer for everybody's favourite group of anthropomorphic turtles, taking a leaf out of The Amazing Spider-Man 2's publicity by including similar music, shots, and even dubstep (because nothing dates a film like dubstep). The turtles still look weird, Shredder has been turned into a Transformers-meets-Silver Samurai from The Wolverine, and Megan Fox remains as emotionless as ever. It does look like it's trying to follow Christopher Nolan with all the Batman links, but it really doesn't work. And just because you make a joke about the whole aliens rumour, Bay, doesn't mean you can be let off the hook.
The Hunger Games: Mockingjay Part One
Oh boy, this is risky. Whilst not a trailer per say, it is the first look we have to the penultimate instalment to the Hunger Games series, so it easily got the internet abuzz. And as someone who didn't like Catching Fire or the first Hunger Games, it easily came as on par with those two films. Does Peeta's (Josh Hutcherson) involvement confuse me? Yes. Am I intrigued as to what will happen? No. It's obvious for even those who haven't read the books like myself. Will I see Part One? Maybe; just to give it a chance.
Pudsey: The Movie
It seems clear that both itv and Simon Cowell are begging for more money outside their reality TV show line-up, as they bring the Britain's Got Talent-winning dog in a 90 minute "comedy". How can you tell a British film is bad? Add certain text, a specific voice over, and the director of Horrid Henry: The Movie being a reason to watch it. Heck, the film can't decide whether the animals should talk or think what they want to say! David Walliams clearly doesn't fit in the role either, likely cast because he's part of the show. It's a simple money-making scheme to follow suite with 2014's Postman Pat, Mrs Brown's Boys and The Inbetweeners. It seems the only good British film to come out of this year will be Paddington, but even then it's in trouble due to Colin Firth dropping out.
Into the Storm
This looks like a mix of Twister and Transformers, in which it involves natural disasters but to the point that it's absurd. The director can't make up his mind whether it's a found footage film or not, the destruction porn is straight out of a Michael Bay film, and performances do seem to be on the lower end of the spectrum. For a first trailer, it really isn't giving out much hype.
With the film finally being released next Friday, New Line Studios bring out this, the last trailer for the film. And now that I've seen all the trailers and teasers, it's easy to say that it's a film not worth seeing. As I've mentioned before, it's typical McCarthey fodder following Bridesmaids in 2011. It wasn't funny the first time or the second (Identity Thief), and certainly isn't here.
The Expendables 3
With the trailer stating that this is the final chapter, it leaves me relieved as it looks no different to the previous instalments, which too put me off. It's simply another instalment of "out of work classic actors club", further proved by the box office results of all of these actors in recent years. Even new addition Harrison Ford is having a rough time, hence an appearance here. It does have a crowd, but I'm not a member of it.
Guardians of the Galaxy
In this, the final trailer, the atmosphere is changed in comparison to the first two advertisements. Whilst it does initially rely on past Marvel hits and follow the usual dark tone of various superhero trailers, it does give an insight to the actual characters outside of the comedic aspects. Plus, Zoe Saldana finally shows off her acting chops after being mute in previous trails. The comedy at the end with Rocket (Bradley Cooper) and Star Lord (Chris Pratt) is great, and it remains a film I look forward to this summer.
Let's Be Cops
"Oh boy, this looks fun", I'd say if it was actually funny or worthy of my time. It's incredibly unfunny to the point that it makes me look at the world and wonder "is this really what we call entertainment?"
The Judge
Robert Downey Jr's first major role since Iron Man 3, the trailer does open with another one of those jokes which makes everyone but me laugh, which did make me worry about the quality of this film. And whilst it does have a simple "father-son reunion" storyline going on, it does do it in a new way, and may well be an appealing film. Downey's performance looks stellar, as does the rest of the cast, and it may be a surprise hit.
The Inbetweeners 2
I'm probably one of the few British teenagers not to like The Inbetweeners. The 2011 film was poor despite all the popularity amongst my fellow adolescents, and here it looks no different. With previous character development right out the window, some terrible sex jokes and even some sound clips from a 1950s back-catalogue, it verges on the cringeworthiness that made the first film so lovable. Heck, there's even a joke which is already outdated in the form of parents being unable to use computers. An insta-pass.
Dawn of the Planet of the Apes
This is the trailer I've been looking forward to. It doesn't play on the unoriginal story of a truce being broken, and instead on how the apes themselves break said truce. The scene with one of the apes and the two guards is excellent stuff and came right out of nowhere. Add some beautiful motion capture design and performances, it could be the surprise hit of the summer.
The Good Lie
Well, this looks no different to any other modern true story trailer. Add some oddly chosen music, poor (and possibly racist) comedy and a rather wooden Reese Witherspoon, it does put viewers like myself off. It probably doesn't help that Witherspoon was apparently arrested during filming, which could further keep away potential consumers.
The Wedding Ringer
Hmm, what do you get when he try to modernise The Wedding Crashers with current hot talents Kevin Hart and Olaf the Snowman? Why, another racist comedy, that's what! No laughs, barely any coverage on the likes of Kaley Cuoco (odd considering how popular her flagship show The Big Bang Theory is), and it's very hard not see Josh Gad without seeing his infamous snowman from Frozen. Perhaps a step too big for Gad, but on par for Hart.
Teenage Mutant Ninja Turtles
Ahead of Michael Bay's incoming Transformers: Age of Extinction comes the new trailer for everybody's favourite group of anthropomorphic turtles, taking a leaf out of The Amazing Spider-Man 2's publicity by including similar music, shots, and even dubstep (because nothing dates a film like dubstep). The turtles still look weird, Shredder has been turned into a Transformers-meets-Silver Samurai from The Wolverine, and Megan Fox remains as emotionless as ever. It does look like it's trying to follow Christopher Nolan with all the Batman links, but it really doesn't work. And just because you make a joke about the whole aliens rumour, Bay, doesn't mean you can be let off the hook.
The Hunger Games: Mockingjay Part One
Oh boy, this is risky. Whilst not a trailer per say, it is the first look we have to the penultimate instalment to the Hunger Games series, so it easily got the internet abuzz. And as someone who didn't like Catching Fire or the first Hunger Games, it easily came as on par with those two films. Does Peeta's (Josh Hutcherson) involvement confuse me? Yes. Am I intrigued as to what will happen? No. It's obvious for even those who haven't read the books like myself. Will I see Part One? Maybe; just to give it a chance.
Pudsey: The Movie
It seems clear that both itv and Simon Cowell are begging for more money outside their reality TV show line-up, as they bring the Britain's Got Talent-winning dog in a 90 minute "comedy". How can you tell a British film is bad? Add certain text, a specific voice over, and the director of Horrid Henry: The Movie being a reason to watch it. Heck, the film can't decide whether the animals should talk or think what they want to say! David Walliams clearly doesn't fit in the role either, likely cast because he's part of the show. It's a simple money-making scheme to follow suite with 2014's Postman Pat, Mrs Brown's Boys and The Inbetweeners. It seems the only good British film to come out of this year will be Paddington, but even then it's in trouble due to Colin Firth dropping out.
Into the Storm
This looks like a mix of Twister and Transformers, in which it involves natural disasters but to the point that it's absurd. The director can't make up his mind whether it's a found footage film or not, the destruction porn is straight out of a Michael Bay film, and performances do seem to be on the lower end of the spectrum. For a first trailer, it really isn't giving out much hype.
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